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  • Communing with nature has long helped artists get their creative juices flowing. A neuroscientist wondered how backpacking trips without any electronic devices might change the way people solved problems.
  • As part of All Things Considered's Found Recipes series, cookbook duo the Brass Sisters share a friend's memories of his mother's Portuguese Sweet Bread. Her tradition involved a big enamel basin, a nip of whiskey and a little prayer that the bread would turn out right.
  • When most drivers get a ticket from a speed-zone camera, there's simply pay the fine. After all, the ticket often includes photographic proof that their car was over the limit. But a Maryland driver is fighting a $40 fine, citing speed-cam photos that show his car, sitting motionless.
  • Given the history of first orbital space shots, North Korea's apparent struggle with its mission is fairly typical, experts say.
  • Both networks wrongly reported that the Supreme Court had struck down Obamacare. But they certainly weren't the only news outlets to mess up in 2012.
  • A look at the events surrounding the deadly attack on the U.S. diplomatic post in Benghazi, Libya, and the controversy that followed. An independent panel has found that "systemic failures and leadership and management deficiencies at senior levels" in the State Department led to inadequate security.
  • The accusations against HSBC were harsh — that the bank laundered money for Mexican drug cartels and conducted transactions on behalf of Iran and other states tied to terrorism. So, why did federal authorities fine HSBC rather than pursue criminal charges?
  • The band Office Romance, which includes two members of the rock band Les Savy Fav, performs a few new seasonal tunes on its latest EP, I Love the Holidays.
  • Those numbers represent one giant sequoia. Oh, also: The "President," as it's called, is more than 3,000 years old.
  • Any Day Now, set against the backdrop of the 1970s, tells the story of a gay couple's fight to adopt a neglected boy with Down syndrome. Director Travis Fine's film lacks technical polish, but critic Ella Taylor says the story's heart makes up for most of its faults.
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