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Fresh Air Weekend

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every week she delights intelligent and curious listeners with revelations on contemporary societal concerns. 

Many of the best of this year's books were graced with humor and distinguished by deep dives into American identity. It was also a very good year for deceased authors whose posthumously published books were so much more than mere postscripts to their careers. Rebecca Makkai's The Great Believers -- a sweeping story about the AIDS epidemic of the 1980s and its long aftermath — is my pick for novel of the year.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Bradley Cooper Learned To Sing, Direct And Talk Deeply For 'A Star Is Born': Cooper makes his directorial debut with a remake of the classic film about a doomed love affair. He hopes his version presents a fuller portrait of the iconic characters.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli sitting in for Terry Gross.

(SOUNDBITE OF SONG, "MY BATHROOM IS A PRIVATE KIND OF PLACE")

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Samin Nosrat was 19 and a cooking novice when she ended up as an apprentice in the kitchen at Chez Panisse, Alice Waters' award-winning restaurant in Berkeley, Calif. There she watched the cooks whip up dishes without looking at cookbooks or relying on timers and she was struck by how little she understood about cooking.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Alan Rusbridger knows a thing or two about high-stakes journalism.

During his 20-year tenure running the British newspaper The Guardian, he collaborated with NSA contractor Edward Snowden and WikiLeaks founder Julian Assange on blockbuster stories drawn from secret government documents. Though Rusbridger left The Guardian in 2015, he remembers the stress vividly.

"We were publishing every minute of the day around the world," he says. "It's a matter of deadlines and never enough information and people trying to sue you and generally harass you."

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Growing up, Bradley Cooper always wanted to be a director. He saw The Elephant Man movie when he was about 12, but instead of focusing on the actors or their characters, he honed in on director David Lynch's vision.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

'You Better Own This': How Rami Malek Came To Embody Freddie Mercury: Malek sang at the top of his lungs while playing Queen's iconic lead singer in the new biopic Bohemian Rhapsody. Still, he says, "No one can sing like Freddie Mercury."

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Nearly every review I've read of Alfonso Cuarón's Roma has insisted that you must see it on the big screen, and it's hard not to agree. You can certainly watch and appreciate this immaculately photographed movie when it hits your Netflix queue, but it's hard to imagine its immersive storytelling and virtuoso camerawork having quite the same effect.

Five years ago, author and artist Jonathan Santlofer was at home with his wife, food writer Joy Santlofer, when Joy began feeling feverish. Joy, who had undergone outpatient surgery the day before for a torn meniscus in her knee, called her doctor's office and was told to come for her scheduled appointment four days later. That appointment never happened.

The Great Internet Novel. Like the great white whale, it's rumored to be out there somewhere beyond the horizon. So far, the novelists who've been hailed as coming closest to writing it have done so in dystopian doorstoppers even longer than Herman Melville's Moby Dick; I'm thinking of The Circle, by Dave Eggers, and Book of Numbers, by Joshua Cohen, both of which tell sweeping cautionary tales about the wired life within Facebook-type cult compounds.

Ever since I was young, I've loved stories set in the far-flung reaches of the West's many empires — from the British Raj of E. M. Forster's A Passage to India to the surreal Vietnam of Apocalypse Now. And I still love them, though I now realize that they usually look at other cultures from the vantage point of outsiders, even intruders.

For trauma surgeon Joseph Sakran, gun violence is a very personal issue. He has treated hundreds of gun wound victims, comforted anxious loved ones and told mothers and fathers that their children would not be coming home.

But Sakran's empathy for his patients and their families extends beyond the hospital. Sakran knows the pain of gun violence because he is a survivor of it; when he was 17, he took a bullet to the throat after a high school football game.

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