Kevin Whitehead

Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.

Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.

He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).

His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.

Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.

Though Andra Day plays the jazz legend with conviction, The United States vs. Billie Holiday fictionalizes the particulars of Holiday's life, where the real story is dramatic enough.

ARI SHAPIRO, HOST:

Investigators are still trying to answer some key questions about the January 6 assault on the Capitol, like exactly who stormed the building that day? And what motivated them to be there? An NPR team has been analyzing the more than 200 cases the Justice Department has brought so far. The defendants include military men, extremists and hardcore Trump supporters. One thing they had in common - they were nearly all men. As Dina Temple-Raston of NPR's Investigations team explains, experts say gender likely played an outsized role in the way the day played out.

Copyright 2021 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2021 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2021 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2021 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 NPR. To see more, visit https://www.npr.org.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

(SOUNDBITE OF JAMES CARNEY SEXTET'S "MAYOR OF MARCELLUS")

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

TERRY GROSS, HOST:

This is FRESH AIR. On cable this month, Turner Classic Movies is presenting a series of movies with jazz connections. As it happens, our jazz critic Kevin Whitehead has a new book about movies that tell jazz stories. Here's his defense of a much maligned film genre - the jazz biopic, screened biographies of jazz musicians.

(SOUNDBITE OF FILM, "THE BENNY GOODMAN STORY")

STEVE ALLEN: (As Benny Goodman) All right. Let's get to work.

SHEP MENKEN: (As Harry Goodman) I got only one suggestion to make, Benny.

Pages