Gabino Iglesias
-
Hermetic, paranoid, sleek, dark — and with brief explosions of the sex and violence that have characterized Ellis' oeuvre — The Shards is a stark reminder that the author is a genre unto himself.
-
Visually striking — NatGeo and superb photography have always walked hand-in-hand — and incredibly complete, deep and nuanced, this is a book that comes close to the impossible.
-
Erika T. Wurth's novel belongs to a new wave of horror fiction that delivers the creepiness and darkness readers have always associated with the genre, while also packing plenty of social commentary.
-
The Passenger and Stella Maris -- the author's first two books in more than a decade — seem to want to decode the meaning of life, both as standalone novels and together as intertwined works.
-
Luda is a magical, multilayered, intoxicating story about identity, stardom, performance, lust, and death that could only have come from the prodigious mind of Grant Morrison.
-
Javier Zamora's book, as touching as it is sad, and as full of hope and kindness as it is harrowing, is the kind of narrative that manages to bring a huge debate down to a very personal space.
-
The environmental activist and consumer advocate takes a brutally honest look at how mismanagement, chemical spills, mishandling of toxic waste, and even fake studies have damaged U.S. water systems.
-
Raven Leilani's new novel will make you cringe for all the right reasons. It's an intergenerational, interracial love story with a heart of noir and gallows humor, so honest it will make you squirm.
-
Betsy Bonner presents her sister with love, but also with honesty; she is the storyteller, but Atlantis Black is the story, the mystery, the victim, sometimes the perpetrator and always the question.
-
Charlie Kaufman's doorstopper new novel could only have been written by Charlie Kaufman — which may seem vague, but we promise it fits the unapologetic, overstuffed Antkind perfectly.