Originally published on Tue November 27, 2012 4:23 pm
We know there's only a 1 in 175 million chance of winning. Even then, you might have to share the prize.
But with Wednesday's Powerball jackpot now estimated to be $500 million (a record for that lottery), we wonder: Are Two-Way readers playing?
Yes, it is kind of silly to think that just because the jackpot has hit half a billion dollars it makes a lot more sense to buy a chance now than it did when you would "only" win $40 million.
After years of waiting, the Kennedy Center has a new symphonic organ replacing its old Filene organ. The $2 million project will culminate in the organ's debut on Nov. 27. William Neil (left), the National Symphony Orchestra organist, speaks with NSO Assistant Conductor Ankush Kumar Bahl (center) during the organ's test with the orchestra on Oct. 18.
Neil plays the organ while organ consultant Jeff Weiler pushes and pulls stops during the test. Building the organ took nearly two years, plus more than three months for installation.
The organ console and concert hall as seen through the pipes of the organ chamber set behind the orchestra. The new organ boasts 1,000 more pipes than the previous one — nearly 5,000 pipes in total.
Jacquelin Rochette, artistic director of Casavant Bros., gives a tour of the labyrinthine organ chamber. The Montreal-based company was founded in 1879 and specializes in building, renovating and installing pipe organs.
Pipes inside the organ chamber range from five-eighths of an inch to 32 feet long, with varying shapes and diameters. Each pipe is meticulously tuned to create the organ's unique tonality.
Weiler pulls on the "Filene" stop, named after Catherine Filene Shouse, the donor of the first Kennedy Center organ dismantled earlier this year. The wooden console has 103 stops, which are responsible for balancing the treble and bass — the lows and highs of each pipe.
Bahl (left) speaks with Neil (center) and Weiler about the organ's test performance with the orchestra on Oct. 18. After six weeks of toning and tuning, the team just needed to make a few final refinements. "We had to tone it down today. We heard too much organ," said Weiler. "It's much easier to make an organ softer than louder, but the power is there."
A concert hall organ has to have the right balance — powerful enough to be heard over the orchestra and chorus, but blending in like any another instrument.
After years of waiting, the Kennedy Center has a new symphonic organ replacing its old organ installed in 1972. The $2 million project will culminate in the organ's debut on Nov. 27. William Neil (left), the National Symphony Orchestra organist, speaks with NSO Assistant Conductor Ankush Kumar Bahl (center) during the organ's test with the orchestra on Oct. 18.
Organ consultant Jeff Weiler (left) and Casavant artistic director Jacquelin Rochette oversaw the tremendous task of building, installing and voicing the Kennedy Center's new organ.
It was almost spooky. Each night after 11 p.m., when nothing was stirring in the Kennedy Center Concert Hall, two men would enter. One would sit at the organ, playing a key or series of keys, and the other would crawl around inside the organ pipes, 40 feet off the floor. The process went on for months.
It was the all but final phase of installing a new organ for the Kennedy Center for the Performing Arts in Washington, D.C. And on Nov. 27, the organ makes its formal debut.
Have you ever wondered whether music conductors actually influence their orchestras?
They seem important. After all, they're standing in the middle of the stage and waving their hands. But the musicians all have scores before them that tell them what to play. If you took the conductor away, could the orchestra manage on its own?
In 1964, Dolly Parton told her classmates at eastern Tennessee's Sevier County High School that she planned to go to Nashville and become a star.
The whole class burst into laughter.
"Anywhere you go, people say, 'Well, ain't you afraid you'll starve to death?'" Parton tells NPR's Neal Conan. "'Ain't you afraid you'll go hungry?' I said, 'Well I couldn't be any poorer than we've been here. And I'm not a bad-looking girl.'"
Originally published on Tue November 27, 2012 11:56 am
Egypt's president Mohamed Morsi issued a decree giving himself near absolute power. Protests followed, and Morsi walked back slightly on his claim to absolute authority. NPR's Cairo bureau chief Leila Fadel explains the evolving political challenges of Egypt's post-Mubarak era.
Originally published on Tue November 27, 2012 11:57 am
NPR's Neal Conan reads from listener comments on previous show topics, including first-person shooter video games and the StoryCorps' National Day of Listening.
A report from the National Council on Disability finds that parents with physical or mental disabilities have a greater risk of losing custody of their children. The study says that the U.S. legal system needs to provide more support for these parents.
I never heard of the Baroque composer Agostino Steffani until last year, when the Boston Early Music Festival presented the North American premiere of Steffani's Niobe, an opera about the mythical queen who bragged so much about her many children, the gods killed them all in revenge. One of the leading roles, Niobe's husband King Amphion, was played by the early-music superstar countertenor Philippe Jaroussky, who sang the opera's most sublime aria — a hymn to the harmony of the spheres. I couldn't wait to hear Jaroussky again, and was eager to hear more Steffani.
Venezuela's National Assembly has approved a measure that allows President Hugo Chávez to leave the country for medical treatment in Cuba.
Chávez, as we've reported, has been battling cancer for more than a year. His treatments and the secrecy surrounding his condition led some to wonder whether he could handle a rough reelection campaign. But he made a remarkable comeback and handily won another term in October.
There has not been a wave of defections by Republicans who signed on to his "no new taxes" pledge and even the few who have spoken about possibly going along with revenue increases won't do so in the end, anti-tax crusader Grover Norquist told NPR Tuesday.